Glass Knot's “Present Tense" album (DOWN5) is out now on cassette (limited to 100 copies) and digital formats.

Music by Lasse Bjørck Volkmann and Nicolai Vesterkær Krog, recorded 2015-2016.
Mixed and mastered by Tobias Hjørnet Pedersen.
Design by The Simple Society.


A1 – 'Present Tense 1'
A2 – 'Present Tense 2'
A3 – 'Present Tense 3'
A4 – 'Present Tense 4'
B1 – 'Present Tense 5'
B2 – 'Present Tense 6'
B3 – 'Present Tense 7'



Glass Knot's new single "Present Tense 4" is out on Foul-Up today.
Glass Knot is a new collaborative project between Metalized Man and Misantrop.
The song is taken from the forthcoming debut album "Present Tense", out on September 21st on cassette and digital download.

Music by Lasse Bjørck Volkmann and Nicolai Vesterkær Krog.
Mixed and mastered by Tobias Hjørnet Pedersen.
Design by The Simple Society.



Beastie Respond’s "Information City” album (DOWN4) is out now on 12” vinyl and digital formats.

Written and produced by Tobias Hjørnet Pedersen.
Mixed by Troels B Knudsen.
Mastered by Joel Krozer.
Design by The Simple Society.
Art by Eva Papamargariti.


A1 – Real Without Origin
A2 – Lullabies for the Lost and Forgotten
A3 – We Never Truly Understood the Architecture
A4 – They Mobilized Ignorance and Slack
A5 – Enter 89
A6 – He Used His Bench Lathe to Form His Wooden Sculpture
B1 – Information City
B2 – A Good Wisdom
B3 – Downloaded 4 R. D4Wkins
B4 – The Truth Hides the Fact That There is None
B5 – Never-Present



'We Never Truly Understood the Architecture' (via First Floor on Red Bull Radio) –

’Enter 89’ (via Tiny Mix Tapes) –

'Information City' (via Self-Titled) –

‘A Good Wisdom’ –

'Downloaded 4 R.D4wkins' (via Groove) –

Full album on YouTube –


Regnsky (in Danish) –

Self-Titled –


Hyponik –

Newtype Rhythms (via Inverted Audio) –

MOVES #155 Eva Papamargariti x Beastie Respond x Foul-Up

London based artist Eva Papamargariti works primarily with moving images, with time-based media like video, gif or other animated elements. She creates 2d/3d rendered spaces and scenarios on the verge of digital and physical environments blurring the boundaries between these systems. The cover-motive for Beastie Respond’s album Information City is by Eva Papamargariti. For the evening at Image Movement she will accompany and expand that piece with a series of recent video works. The films explore themes of artificial and natural ecosystems, the ideas of synthetic nature, the way humans, AI, technological infrastructure and organic critters that co-exist in present terrains and territories, how natural landscapes are represented and re-constructed through machinic navigation tools, imaging devices.

The musician Tobias Hjørnet Pedersen started in the late 2000’s to work under the moniker Beastie Respond. The album Information City, his latest release –due September 1st on Foul-Up– is an hybrid work, Beastie Respond moves through contemporary electronic music, taking samples of genres from UK-Bass and Trap to Electro, from Footwork to melodic Synthpop. Though Pedersen retains a sovereignty that keeps the album far from any whiff of patchwork or fiddly handicraft.

Foul-Up finally, a label founded in 2016 is where it all convenes. Let the founder Nicolai Vesterkær Krog have his say: »Foul-Up is an initiative against the oppression of uniformity. Inherent is an aim to pose questions and to do so in order to remain relevant. Our relevance? Our paths will be known by experience, not by predetermined convictions.«


Foul-Up presents the launch party for “Information City”, the new Beastie Respond album.


Since debuting with the EP “Syncopy” back in 2011, Beastie Respond has re-invented his sound with every release, moving from the moody drum'n'bass of his debut into more colourful realms. On his new album, "Information City”, Beastie Respond presents a stylistically unchained work, drawing on a wide array of sounds while thematically reflecting upon an increasingly digitized society with endlessly expanding data pools and digital realities.
Beastie Respond is mainly known for his releases on Teal Recordings and appearances on Circle Vision, dBridge's Exit Records and Loxy’s Cylon Recordings.
Expect an hyperactive melting pot of sounds and unreleased productions in Beastie Respond’s ever-eclectic DJ sets!



Releases on labels such as Foul-Up, Last Known Trajectory, Lower Parts and (solo plus in collaboration with DJ Stingray) on Shipwrec are both distinctive, remarkably vital and have further cemented his reputation for pushing boundaries in unexpected and exciting new directions. A provocative visual style, political and philosophical attitude further submerge the listener in Galaxian’s visions and ideas. Kitted out in trademark helmet and mask, as if to foresee a collapse of the current social fabric, his live shows are dripping with raw energy and atmosphere generating an immersive experience which commands attention.
Late 2017 promises a new EP on Helena Hauff’s Return To Disorder.



From Berlin via Tunis, Cera Khin has quickly made a name for herself as a Selectress & DJ that can find the finest thread between disparate sounds, connecting the dots between Modern club & Experimental music as well as Musique Concrète, Dub & Dancehall styles in an effortless way.
Bored of mindless club-attitude, Cera is not afraid to take her spirited approach to the dancefloor, and she has been invited to play at Berlin’s finest parties as well as respected international events such as Bristol’s Young Echo Sound and Milan’s Macao venue, to name a few. She also transmits her unique style and selection via her monthly residency on the airwaves of Bristol’s Noods Radio, as well as guest appearances on London’s NTS Radio & Rinse FM, Amsterdam’s Red Light Radio, The Hague’s Intergalactic FM and local stations Cashmere and Berlin Community Radio.



Danish-born and Berlin-based Misantrop is the founder of Foul-Up, having initiated the label with his debut EP “Limerence” in late 2016. Misantrop’s music aims to defy singularity, drawing from all over contemporary music and noise grounds - keeping listeners alert by placing them at the centre of his stylistic chaos and taking them on a unique exploration of a extensive sonic territory.