Foul-Up has invited Toronto’s Egyptrixx as a special guest gracing the night with a live set just a few weeks after the release of his fourth album “Pure, Beyond Reproach”. Since the release of his debut album on Night Slugs in 2011, Egyptrixx’s “celestial club music” has gradually moved further towards abstract territories while never departing the pulse of the club. Over the course of three albums, several EPs and multiple other projects, Egyptrixx has perfected his very own unique strain of high-gloss-industrial techno-centric sharp-edged club deconstructions. His fourth album comes after a busy 2016, having launched the experimental solo endeavour Ceramic TL, new duo Limit (together with L-Vis 1990, co-founder of Night Slugs) and his NTS show Halocline Trance (sharing name with the record label he formed in 2015).
Also guesting the night is Ziúr, an artist that is - as her biography reads - “dedicated to combining different sonic textures and brainy beats into a functional dancefloor framework”.
Ziúr is a co-founder of BOO HOO, an open-ended Berlin night committed to fighting discrimination. As a DJ her undertaking is equally diverse, with an anarchistic approach she dismantles genre-barriers, something which is perfectly paralleled in her own productions where aggressive brutality is rendered with a strange poise. Since putting out her self-released debut mixtape mid-2015, Ziúr’s schedule has taken off in regards to both touring and studio work. 2016 saw the release of two EPs (on Infinite Machine and Objects Ltd.) and in 2017, Ziúr will release her debut album as a joint effort between Objects Ltd. and Planet Mu.
The night in question will be presenting the Berlin live debut by Metalized Man who on the preceding day will be releasing his debut full length on Foul-Up. The album - titled “Losing Your Virginity: Metalized Boy’s First Adventures in Manhood” - finds the artist showcasing his own unique sound - alien yet familiar, fusing elements from industrial, ambient, techno and trance. The record follows two previous cassette EPs on Danish imprint Infinite Waves, and was predominantly conceived in live sessions at the artist’s rehearsal space at Copenhagen's Mayhem. The album’s press release describes the artist’s sound as “rich of a spectrum that extends from the murkiest shades to the brightest hues with a zest of trancey tropes. 'Losing Your Virginity: Metalized Boy's First Adventures in Manhood' reacts and evolves like a steady biotope submitted to diverse levels of pressure, constantly shifting scales and tempo – from a deep green palette of organic drops and crackles to the sleek vibrancy of multi-faceted synthetic layers – punctured by paranoid ostinatos. ‘Losing Your Virginity...' shines for setting up its own deeply evocative cinematic playgrounds. Images rise to the surface in a deftly-manoeuvered chaos of sound.”
The urge to fuse elements from different musical periods and styles is the key drive behind the Beastie Respond moniker. Between 2011 and 2013 Danish label Teal Recordings released Beastie Respond’s first three EPs followed by the debut album “Fictitious Nostalgia”. Over the course of his Teal releases, the artist moved from making distinct drum’n’bass tunes to having his own genre-defying sound. While over the following years having contributed tracks to Dylan & Loxy’s Cylon Recordings and dBridge’s Exit Records, the proper follow-up to Beastie Respond’s debut full-length came in 2016 with the EP “Back to the Future” on Copenhagen’s Circle Vision imprint. Now, once again, Beastie Respond has given his own sound a complete makeover ahead of a big new project to come out in 2017. Expect an ADHD-fuelled melting pot of sounds and unreleased productions in Beastie Respond’s ever-eclectic DJ sets!
Danish-born and Berlin-based Misantrop is the founder of Foul-Up, having released his (and the label’s) debut EP “Limerence” in late 2016. While a first impression of the EP typically would be one of approaching disparate yet classic club-trajectories, a more detailed listen reveals that the EPs coherence is found in more subtle places - in the more introverted and experimental influences. A set by Misantrop aims to keep the listeners alert by drawing sounds from a broad sonic territory and embracing stylistic chaos, as well as the occasional foul-up.
After having debuted his maiden video installation at a series of Foul-Up events celebrating the label’s first release, James Nunn now presents the project’s second revision.